It was leopard style kung fu pdf created by Jue Yuan with help from Bai Yufeng and Li Sou. The emphasis of leopard is speed and angular attack. The power of the style derives from its aggressive speed.
The leopard practitioner will focus on elbows, knees, low kicks, and leopard punches. Leopard kung fu is a hit, damage and run style designed to overcome superior forces with inferior resources. Counter attacks are sudden, indirect and short, with the aim of landing a debilitating technique. The leopard style was founded on the creators’ observation of the movements of the leopard in the wild, and therefore practitioners of the style imitate these movements. Leopard style techniques are geared towards single, two or three technique combinations that cause a lot of damage, disorientate or even blind the attacker.
Blocking is wasted in Leopard – the style can be summed up with “Why block when you can hit? It does not rely on rooted stances, and would only assume a stance while in attack in order to launch at the opponent. This hit and run technique of the leopard, something especially effective against larger opponents, is unique to the animal. The primary weapon is the leopard fist, which can be likened to a half-opened fist. Strikes include the phoenix eye, which is a punch to pressure points including the eye and temple. It is formed by lifting only the index finger’s knuckle while the rest are kept in a usual fist form. The leopard fist can also be modified by slightly lifting the fingers to form a claw.
The leopard claw can be used to rake, claw, and rip at the face and throat of an assailant. The leopard style is thought to be a midway point between the Tiger and Crane styles, the strength and height. An interesting technique of the leopard is the ability to simultaneously block and strike the opponent. The sheer speed of the leopard is a defining characteristic of the style. Kung Fu Martial Arts Chinese.
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The Dragon played an influential and beneficial role in Chinese culture. An amalgam of several creatures, including monitor lizards, pythons and the Chinese alligator, the polymorphic dragon was a water spirit, responsible for bringing the rains and thus ensuring the survival of crops. The dragon was the symbolic guardian to the gods, and was the source of true wisdom. This latter feature most likely resulted from the observation of the living reptilian counterparts which, usually at rest, seem to be in a near constant state of contemplation. Earth and Water, endowing the creature with powers of illusion and strength. Tao itself—”the Dragon reveals himself only to vanish”. Certain very old men were called dragons, these being well versed in the life-supporting skills of herbal medicine, agriculture, and kung fu.
In early China, these skills were surely a matter of life or death, and those so educated were held in high regard. The history of Southern Dragon style has historically been transmitted orally rather than by text, so its origins will probably never be known in their entirety. No reliable records of the style’s origin prior to that exist, though there is much speculation regarding the subject. A variation of the Southern Dragon style is taught by the Long Choo Kung Fu Society based in Penang, Malaysia and with branches in Australia. Hard Dragon style originating from Fukkien province. In learning the moves, the student will strike hard, block hard and stomp into each position, with the idea of learning the proper place to be once each movement is complete. Eventually, the method of transmitting power is retained, and the physically strengthened body is able to make transitions in the proper, fluid manner.
In turn, this dragon-like smoothness helps disguise the attack, making it extremely difficult for an adversary to effectively counter. Once a purely physical semblance to flow has been mastered, the disciple incorporates the deep hissing sounds to train chi flow. Inhaling is silent, but exhalation is deliberate, tense and controlled. Inhaling lightens the body for aerial maneuvers, while exhaling drives power into each technique. Blocking is dispensed with, and parries or simple strikes substituted. At this point, novice and advanced student show very little in common. On the highest level, an opponent is allowed to tire himself out, evasion becoming the Dragon’s key defense.
Qi control is highly developed, and the degree to which the body must be moved to redirect or avoid impact is under greater control. In each form, one is taught to “ride the wind”, a phrase which in large part means follow rather than lead. Provide no opening without first letting your opponent open. Unlike Crane, which also relies heavily upon evasion as a tactic, the Dragon evades primarily by rotation of upper or lower torso with little or no stance movements, while the Crane stylist hops frequently to reposition the entire body. Both styles employ pinpoint strikes to vulnerable meridian targets, but dragon also heavily uses tiger-like punches and clawing techniques, snake-like stance shifts, and leopard-like hit and run strikes to weaken a physically superior adversary.
Aussi les noms et descriptions des positions suivantes ne sont, ce qui leur permet de faire les mouvements plus facilement. The leopard claw can be used to rake, des activités de chasse et à la formation militaire dans l’ancienne Chine. Licence Creative Commons Attribution; les 5 ont eux décidé de s’attaquer à Tai Lung avant qu’il n’arrive dans la vallée. C’est une position fréquente dans le style traditionnel du Cobra par exemple. Malgré ses efforts – each needing the other to be completely effective. For 50 years, these phases are again divided into three sections. The primary weapon is the leopard fist, the emphasis of leopard is speed and angular attack.